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6 Tips Guaranteed To Make You A Better Food Photographer

<p style&equals;"text-align&colon; justify&semi;">If you really want to set out to become a professional food photographer&comma; it’s inevitable that you’re going to have to dedicate much of your life to the case&period; Like most other areas of photography&comma; it’s not just a case of there being so much to learn&comma; but at the same time so many skills to master and good habits to pick up along the way&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">That being said however&comma; it’s not to say that there’s no room for making serious improvement to your current food photography skills without necessarily having to go down the professional route&period; After all&comma; it’s no secret that food photography has become something of a global passion&comma; with tens of millions of people now routinely documenting their culinary creations and sharing them via the web&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;"><img class&equals;"aligncenter wp-image-13963 size-Correct" src&equals;"https&colon;&sol;&sol;medusamagazine&period;com&sol;wp-content&sol;uploads&sol;2015&sol;07&sol;Food-Photographer-600x400&period;jpg" alt&equals;"6 Tips Guaranteed To Make You A Better Food Photographer" width&equals;"600" height&equals;"400" &sol;><&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">So if this is one movement you’ve been well and truly swept away by&comma; here’s a look at five seriously valuable tips from the experts at <strong>www&period;howardshooter&period;com<&sol;strong> guaranteed to improve your output&colon;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;"><strong>1 – Head Outdoors<&sol;strong><&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Not that it’s always the most plausible prospect in the UK&comma; but when and where the weather allows you should give thought to going outdoors&period; The reason being that if you can find a spot that’s nice and bright yet out of direct sunlight&comma; it will help you take infinitely better shots than would be possible indoors&period; One of the most difficult things to nail with food photography across the board is the lighting – get the lighting right and the rest is actually quite easy&excl;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;"><strong>2 – Depth of Field<&sol;strong><&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">One of the most effective ways of making the main focus of your shot &OpenCurlyQuote;pop’ in a big way is to experiment with depth of field&period; Mercifully&comma; many of today’s higher-end digital cameras have made it so much easier than ever before to achieve that gorgeously dreamy blurred background effect – even if some purists might call this cheating&period; Particularly if you are shooting anything in multiple quantities – a tray of cupcakes for example – depth of field can be a supremely effective tool for producing outstanding results&period;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;"><strong>3 – Work in Progress<&sol;strong><&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Ever wondered why there are always pages in cook books that show you either the dish being cooked or the ingredients rather than the finished dish itself&quest; Well&comma; that’s because in so many instances the dish once completed doesn’t look nearly as colourful and pretty as it did while it was a work in progress&period; Exactly what kind of dishes this may or may not apply to comes largely down to personal preference&period; However&comma; if you have an array of multi-coloured ingredients in front of you and you know the final result is going to be a big bowl of brown goo&comma; you might want to think about taking a few in-progress shots&period;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;"><strong>4 – Half Eaten<&sol;strong><&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">It’s natural to assume that any and all food shots must be taken of dishes that are cooked&comma; being cooked or even in their raw form&comma; but in all cases must be largely untouched&period; This isn’t the case at all – sometimes it can be far more effective to show something that’s already been started on by a hungry human&excl; A crumbled cookie for example never fails to look incredible&comma; as may a steak cut in half or a torn baguette with butter&period; The same also goes for a pint of ale that’s been half-quaffed and has those tell-tale white lines down the inside of the glass – supremely appealing&excl;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;"><strong>5 – Portion Control<&sol;strong><&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">One of the most enjoyable and potentially rewarding experiments to try out when it comes to taking food shots is limiting the frame to just a portion of the full subject&period; Sure&comma; it’s a pretty epic tray of cupcakes you’ve made&comma; but what if you got up close and took a shot that just showed where the frosting meets the cake&quest; Or with the salad&comma; maybe the jumbo shrimp on top will bring you a much better shot than a much wider shot of the whole dish itself&period; These are tricky to nail as they aren’t how you see the dish with the naked eye&comma; but they’re so much fun to experiment with&period;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;"><strong>6 – Fabulous Framing<&sol;strong><&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Last but not least&comma; never forget that the way your dish is framed with the plate&comma; the garnishes and everything else that makes it into the shot will make a very big difference&period; So along with going to town with the food itself&comma; spare a good thought or two for the things you position around it in terms of how they complement the dish or otherwise&period;<&sol;p>&NewLine;

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